Canon Gl1 Sequence Specs

The GL1 has practically all of the guide controls that you can ask for. Users can manually management focus, white steadiness, iris and shutter pace. One of the good features of the GL1 is the Frame Movie mode. Instead of capturing 60 fields per second, it captures 30 frames per second.

Although the GL1 doesn’t have guide audio stage control, we hardly seen. The on-digicam PCM stereo microphone worked nicely and we have been pleased with how nicely the auto acquire adjusted itself, without jarring jumps or drops in levels. The mike did choose up the sound of our arms transferring on the camera, although. To avoid this, you possibly can plug in an external microphone and get closer to your supply.

Canon Xh

The GL1 incorporates a 20x Professional L-Series Fluorite optical zoom lens, which transforms distant topics into dramatic shut-ups. The 20x optical zoom is the 35 mm focal length equal of mm. Add the elective WD-58 Wide converter to extend the sphere of view by 30% for indoor pictures or panoramic views.

It perfectly enhances the high image quality of the DV format. The camcorder’s three 1/four″ CCD picture sensors ship high sensitivity and a high dynamic vary. Each CCD individually processes each of the three major colours purple, green and blue.

The Canon XV1 effectively overcomes this downside through its newly developed Video L -series lens. Employing Canon’s state-of- the-art lens technology, it contains a fluorite element, which realizes virtually perfect correction of chromatic aberrations. The unique Canon lens realizes image high quality that rivals professional tools, making potential 20x optical zoom with sharp pictures free of colour-blur. The other problem is, there is no way to generate “bars.” They are the colour spectrum representations generated by each skilled broadcast camera. They are indispensable within the setup of edit methods–particularly nonlinear.

Energy Consumption (While Recording Af=on)

Click here to contact a gross sales representative and request a media equipment. In addition to a small speaker, Canon has provided a headphone jack to watch audio. Other jacks include FireWire, S-video, A/V out and in and LANC edit control. Canon introduces the newest addition to its household of Mini DV camcorders, the GL1. A smaller, more compact version of the XL1; there’s no missing the family resemblance. Used to connect the camcorder to a TV or VCR with S-Video analog connection.

• The GL1 is a three-chip Mini DV camcorder that delivers the same nice image as its older brother.
• Other jacks embrace FireWire, S-video, A/V in and out and LANC edit control.
• In the months ahead, you’ll be able to count on an improved version of this digicam, which will solely solidify Canon’s lead.
• The other problem is, there isn’t a method to generate “bars.” They are the colour spectrum representations generated by each professional broadcast digicam.
• The course of achieves outstanding detail and devoted colour reproduction.

In TV mode you’ll be able to select any of the 27 shutter speeds starting from 1/60 to 1/15,000 of a second. If you’re seeking to management your depth of field, the AV mode lets you set the f/cease at intervals between f/1.6 and f/eleven. The GL1 also has a Zebra-stripe characteristic that seems as diagonal strains on the body to point whether the image is just too shiny.

In the Auto mode, the GL1 automatically adjusts the entire settings, lets you access the advanced options and gives you handbook control of any factor you want. The WD-58H wide-angle adapter screws into the entrance of the GL2’s zoom lens to supply a fair wider angle of protection (0.7x). This is nice for those instances if you end up capturing in a confined house or capturing scenics. The VL-20 is a 20-watt video gentle for each indoor and outside use.

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